It’s coming time to see all my people at the holidaze then hibernate for the winter with a few good projects. It’s time to look back at the year, remember what happened, and process it. Here goes:

LUNAR CLOCK, DEC 2013. This time last year I was finishing up a lunar clock that KR helped me with. This was a project that combined interesting media theory (a bit from Douglas Rushkoff’s Present Shock) with cool technology (laser cutter, arduino, and eagle). I enjoyed turning theory into a designed object–something I could hold in my hands. That’s me in a nutshell. In order to understand something, I have to build it and hold it.

GAME COURSE, JAN 2014. This year started with teaching a pilot course at Ithaca College called “Designing Games for Sustainability.” The class was small but we busted out two cool games. One was an arduino powered waste-sorting game and the other was a laser cut variation of Settlers of Catan called Wasteland. It was amazing to come up with cool ideas and then be able to manufacture and test them. Ideas into reality.

SUSTAINABILITY, MAY 2014. When the semester ended in May, I joined my ASU Sustainability crew at ISSST in Oakland for a great conference. And again in July for a desert retreat. Both gatherings were fun and enlightening in different ways. The former was in an urban setting and academic. The latter was in the desert and spiritual. What I love about these folks is that they value all of it. These people feel like home to me.

MIT >> POP UP DESIGN STUDIO, AUG 2014. In August I traveled with JC to MIT for a Scratch conference. There we met amazing people in the Harvard Grad School of Edu and were so inspired by their work that we came back to our makerspace and implemented a new project called “Pop Up Design Studio.” On the first friday of each month, we open our doors to the public and invite them to make art on the laser cutter. The combination of generosity on the volunteer side with creativity on the public side has been joy to be a part of.

TEACHING, SEP 2014. This fall I’ve been teaching 4 classes in the Integrated Marketing Communications program at Ithaca College and loving every minute of it. As an introvert, teaching 80 students is intense, but there’s nothing I’d rather spend my energy on. The program and the students have this great mix of business and creative thinking going on. It’s a pleasure and a challenge integrating the two – the practical with the wild dreams!

UPCOMING, DEC 2014. In ten days or so I see my family for the holidays. When I get back, I dig into some juicy projects for the winter: product design, electronic music, and a few workshop gigs I’ve got cooking. Winter is a great time for projects. Then when the sun comes out in May, there’s time for being outside with nature and friends. I like seasons and the structure they bring to my year.

LOCAL FOOD. On the local food side of life, I enjoyed a farm share at Sweet Land Farm this past summer and am now a week or so into a winter share from Full Plate Collective. These things keep me connected to the soil, the water, and the air. I’m grateful to the farmers who put it all together.

Let me know how 2014 treated you and what you’re up to this winter.





This post originally appeared at

Last week a fellow IG member and I went to the Scratch Conference at MIT Media Lab. Scratch is a visual programming language developed by folks in the Lifelong Kindergarten Group at MIT and the Graduate School of Education at Harvard. The goal of the project is to help kids (and adults) transform themselves from “consumers of stuff” to “makers of stuff.” (Sound familiar?)

What impressed us about the conference is that it wasn’t only focused on technology, but on the social aspects of engaging with technology. The Media Lab has four principles that guide their techno-social-creative process: PROJECTS, PEERS, PASSION, and PLAY.


Makers don’t just talk about ideas. They make stuff. So PROJECTS are the physical manifestations of making. We participated in two project-oriented workshops:


Both workshops were scaled well and effective. Something that stood out to us was how the participants, who are educators from around the globe, interacted with each other. We helped each other troubleshoot and explore. All of us seemed comfortable with rapid trial and error. Which leads to the second principle – Peers.


In the keynotes, there was a lot of emphasis put on the role of peers when we are learning to program or make things. In the keynote on Day 2, Elyse Eidman-Aadahl of the National Writing Project said something that hit home. Now, her project is to transform “readers” in to “readers who write” but you can see the connection to transforming consumers to makers. Elyse pointed out that hour-long workshops have their place because they introduce people to writing. But to become a writer, one needs to engage with a community over time. They need to share their work. They need to get and give feedback. They need to mentor and be mentored. Something to think about as we look at our programming at the makerspace. How do we nurture our community so that more Ithacans can go through this transformation?


One thing we think about at IG and in tech overall is how to foster more diversity and inclusion in our community. One way to help more kids and adults learn technology is to offer experiences that enable them to tie technology – which is new and foreign to them – to something that they are already passionate and knowledgable about. Then the technology becomes less of a scary thing that newbies can’t do and more of a new tool for expressing ourselves. This passion principle is held by Harvey Mudd College where they offer joint majors that allow people to integrate a field they are passionate about with CS. It seems to be pretty effective with women filling over ½ of their CS student slots.


There’s a lot of talk about PLAY in the creativity space. At MIT, they make an interesting distinction between PLAYGROUND play and PLAYPEN play. The playground is a social environment where we interact with people and explore our decision making processes. In the PLAYPEN, our activity is more constrained. We don’t have the freedom to reach outside of ourselves. So when we are designing playful environments, it’s important to keep this distinction in mind.

The last session we went to at the conference was a session hosted by women who created the FAMILY CREATIVE LEARNING guide and GUERILLA POPup MAKERSPACE Both projects integrate all 4 Ps of the Media Lab. Here’s a secret they shared that we really love, “The aesthetic of these things is that it should feel like a family gathering. We always start with food.”


We welcome your insights on the 4 Ps or other principles that have captured your imagination. Share them with us in the comments or on our facebook or twitter streams.

The relationship between being creative and letting go

This past Friday and Saturday I helped out with a design-thinking workshop led by Tracy Brandenburg and Sirietta Simoncini and their graduate students in the Systems Engineering program at Cornell University. The workshop was held for dozens of executives from around the country.

Throughout the two-day workshop, the execs were asked to prototype their ideas in several forms: physical prototypes, storyboards, and skits. Each time the workshop participants had to present their prototypes, Tracy or Sirietta would call out a reminder, “OK. Once again, it’s time to let go of your prototype both physically and emotionally.” For some, this was easy. For others, this was really difficult. It’s hard to detach from something we just made and admit to ourselves “This isn’t done yet. I need help.”

In an art school critique, it’s often the case that students aren’t allowed to defend their work. “You won’t be there in the gallery to explain your concept to the viewer” so the reasoning goes.

Art students are trained to let go of their work.  My colleague from RIT, Roberley Bell, has an assignment in which her design freshmen work on a project all semester. Then on the last day of class, she hands out shovels and tells the students to bury their work in the ground. This may seem extreme. But compare the burying to the exercise from the professor she got the idea from — he hands out matches and instructs his students to burn their work!

And then there’s this experience I had as an undergrad in art school: I approached my professor with a print I had made and asked him what he thought. He looked at it for 10 long seconds. Then he picked it up, ripped it in half, threw it on the floor and said “That’s what I think.” For months I was shocked. But then I came to realize two things: 1. He was probably having a bad day and 2. He didn’t rip up my work because he didn’t like it. He did it to show me that I was being too precious about it. Harsh as that approach may seem, he effectively taught me to let go.

What makes this letting go even more difficult is that you can’t let go completely. You need to let go enough to gather useful feedback and listen well. But you also have to remember that you are the designer or artist or entrepreneur and your vision matters. When Project Runway contestants have a client challenge, their mentor Tim Gunn always has to remind them, “At the end of the day, it’s your name going down the runway. You want to please the client. But you also want to maintain your vision.”

Not easy.

A trick, I think, is to remember that feedback is essential but should not always be taken literally. For example, when someone testing your prototype says “This button should be red” it doesn’t necessarily mean that the button should be red. As a designer, you need to interpret feedback. “This button should be red” probably means, “I want the button, or the action the button sets into place, easier to find and use.”

Still, in order to get feedback in the first place, you need to let go of your prototypes, both physically and emotionally. You need to be open and vulnerable. You need to have faith that the feedback, once you interpret it, will help you develop and deliver something better that you are able to when working alone.

related reading:

The Internet of Things Should Connect People


For those readers who aren’t techies, the “Internet of Things” is  a phenomenon I first read about in Bruce Sterling’s book Shaping Things. The Internet of Things (IoT) refers, in it’s simplest definition, to physical products connected to the internet. You’ve already heard of some of them, like the refrigerator that sends a text message to my phone telling me I’m out of milk.

A smart fridge may be a decent start, but I think  the IoT can be so much more. Some say that the IoT should be set up so that things talk to each other to coordinate their activities. My alarm clock talks to my hot water heater and my coffee pot so that things are ready for me in the morning. This communication between things may make my life easier and could help me optimize my home energy usage. And the data from my things could be delivered to product firms so they can use it to…I don’t know…make my life easier, and maybe sell me more stuff.

Wait, do I need more stuff that merely makes the small tasks of my life easier? Is that what this manufacturing revolution is mainly going to be used for? I hope not. We have an opportunity: I’m convinced that small batch manufacturing and customization that today’s desktop manufacturing affords can be used to improve our lives in ways that we may not anticipate. But how? I propose that we use IoT to make things that connect people. If the promise of the internet was to connect small groups of people to create or exchange value (etsy is a great example), then the IoT can follow suit, and I think it should. What if our things helped us find other people we share goals with? What if our things had these sharing mechanisms built right into them?

How might you use this technology to connect people?

Image: Chris Ware’s cover for The New Yorker, January 2014

Related reading:

Make Better Stuff for the Holidaze


When Black Friday comes I’m gonna dig myself a hole/ Gonna lay down in it ’til I satisfy my  soul

Well, close. It’s Black Friday. And rather than shop, I’m going down to my makerspace and I’m gonna make stuff to sell at two upcoming craft shows: 1 and 2. This is my tiny part in promoting a power-balance shift from mass manufacture and consumption to small batch production.

Sure there’s “Buy Nothing Friday” and AMEX’s “Small Biz Saturday.” But as a maker, I’m faced with a make-or-buy decision for the holidays. And I’m deciding to make. Make stuff that’s better, more unique, more locally sourced than the stuff you can buy at the mall. Luckily we have tech manufacturers in our makerspace, so what we make isn’t limited to knits and candies (not to knock knits and candies!)

Make something this weekend. And feel free to send me a picture!

image: Laurence Clarkberg

products: IG memebers